Cais do Ginjal II

0


The Story
June, 2009. It was summer time but it didn't felt like it (check
The Pier photo story for more details)...
One of the perspectives that I was looking for was this one: the deck in the left, the 25 de Abril bridge in the back and Lisboa on the right. In the middle, the pier, like a serpent in the river.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC

Shutter Speed: 1/100 second
F/8.0
10 mm
100

Original Photo


Post Processing
This photo was one of my first choices. Later back home I regret that I didn't took the tripod and the 10 stop filter, it was the ideal shot.
So I imported the photo into Lightroom and started playing around with the filters. Honestly, I didn't know how to process this one. My first reaction was: let's convert it to B&W. But I didn't liked the result so I started messing around with the settings to get something out of it.
So, I started by adding a Gradient Filter to the sky to darken it a bit. Then, I increased the Vibrance, the Fill Light, the Contrast and the Exposure. Next step was the White Balance. I wanted to get a more warm feeling, but not too warm because the pier itself was becoming too orange and the river too green. So I reduced the Saturation on the Oranges and on the Greens to compensate the WB adjustment. That was it for Lightroom. Let me stress that I was completely playing around with the settings, not knowing where I was going to. I was just looking for something that would catch my attention.
In CS4 I've done: Auto Tone, Auto Contrast, Auto Color and Auto Levels, then reduced the Vibrance and applied the "Tobacco Grad (125)" action to the sky (you can find this and other actions to simulate the effect of Gradient filters here: http://www.thelightsrightstudio.com). This gave me the full size (10Mp) final image.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size. You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461
I was not quite satisfied with the final result: it was a bit too unreal for what I was looking for. But after some time it started to grab my attention so I decided to publish it.

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Cais-do-Ginjal-II-127703569
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Meteora III

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The Story
January, 2009. My sister was at the time working in Athens and invited us to go there for a week (check the
Meteora II photo story for more details)...
It's a fantastic place. You can see big rocks with monasteries build on top. It was almost all the time very foggy, but every time it cleared a bit, the view was fantastic. I just leave you the photo. I think it speaks for itself.
If you ever go to Greece, do go to Meteora, you won't regret!

Equipment / Technical Info
Nikon D80
AF-S NIKKOR 18-70mm 1:3.5-4.5G ED

1/50 second
F/8.0
40 mm
100

Original Photo


Post Processing
This photo rested in my hard drive almost one year until I decided to give it a shot.
It was December, Christmas has passed and the weather was very rainy. On top of that, my wife was pregnant and my photo trips had been reduced to the minimum for us to be together more time. I already had published two photos of Meteora and in both I almost didn't touched them in post processing. This time I decided to give it a different atmosphere. Has I had noticed in other photos (like Bridge To Neverland) when they are shot under foggy conditions, the Contrast is very low. This was one of the first things to address. The second thing were the colors: they were very dull, so I decided to bring them up.
In Lightroom I've increased the Blacks, the Vibrance and the Sharpening, then I increased the Saturation on the Greens, Yellows, Oranges, Reds and Blues. Next I increased the Luminance on the Greens, Yellows, Oranges and Reds, and reduced it on the Blues and Aquas (to darken the sky). Next, another boost to the Contrast, Vignetting was added, increased the Clarity and the Saturation. Then I started playing around with Split Toning, with the objective of warming the colors a little: in the Highlights I increased the Hue to 40 and the Saturation to 20. Finally, I increased 0,75 stops on the Exposure and added a Gradient Filter to darken the sky.
In CS4, I've started by applying the Virtual Photographer plug-in (you can find it here: http://www.optikvervelabs.com) with the setting "Fall Colors" and then applied the "Tobacco Grad (125)" action to the sky (you can find this and other actions to simulate the effect of Gradient filters here: http://www.thelightsrightstudio.com). Then I adjusted the Levels and the Color Balance, increased the Brightness and Contrast and re-touched the Levels again ("Increase Contrast 1" preset).
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Meteora-III-148221264
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BUS

0


The Story
December, 2008. It was Christmas time and my wife, who likes this season (in contrast with me that couldn't care less), convinced me to go to downtown Lisboa to see the Christmas lights. In this time of the year Lisboa is fully decorated with lights on the streets, some say it's the spirit of the season, other would say that it's another way of drawing consumers away from the shopping centers. Anyway, we went to Lisboa. I took the usual gear: the D80 and the Sigma 10-20.
This Sigma lens allows me to shoot with significant lower shutter speed than any other lens that I own (Tip: the common rule is that you can shoot in the inverse proportion of the focal length. With this 10mm lens it means that you can shoot with 1/10 seconds speed and have a good possibility that the photo wouldn't get blurred).
We parked in the Restauradores square and then went thru' Rossio, Rua Augusta and Comércio square. Near Comércio square you have a smaller square that is where the city hall is: Município square. I took some shots of the city hall and then, when we were heading back to Comércio, I've noticed the BUS letters on the pavement. I was, at the time, exploring the lines in the photos and also the Dutch Tilt perspectives. Without too much preparation, always on the move (my wife was getting kinda bored of my photographic stops all along the way) I tried to get a good perspective on this street.
It was already nighttime and the lightning on this street wasn't that generous, so I raised the ISO to 400 and took advantage of the 10mm to capture the low light street. I only took this photo of this spot.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC

1/13 second
F/4.0
10 mm
400

Original Photo


Post Processing
This photo walk gave me some good photos and this particular photo was in the lower half of that list. It had almost every reason to get rejected: it was too dark and it was to noisy from the low light and high ISO. I really don't like photos with low detail, I prefer when I look at a photo a can see all the details on it. But this photo was the best one from the ones that had lines and the BUS word on it (I took some others in Rossio). I decided to give it a shot anyway, if it was a bad call I would loose €1.
Let me explain this €1 stuff... Since I entered the digital photography world that I stopped printing photos. With the exception of some vacations photos that my wife would print, I never had printed some of my photos before. One day, after buying the Nikon D80 (I had a Sony DSC-V3 compact camera before), I decided to print some of the Nikon photos because we were preparing to go on holidays and I didn't wanted to have any bad surprise afterward. So I selected a few photos and had them printed in several formats. One of the formats was Mate 20x30 (cm). I was amazed with the result. From that point on, I decided that I would print on that format all the photos that I would publish. Each print costs about €1 :) This way I could feel the photos in my hands and also would make me (at least most of the times) be more selective of what I publish.
Well, back to post processing, I imported the file into Lightroom and first of all I cropped it to my like. Then I increased the Exposure, the Blacks and the Contrast. The sky was still a bit electric blue so I reduced the Saturation and the Luminance of the Blues to the minimum.
It was still with low contrast so I started to try some presets. I ended up choosing "Matt's Sin City - Light Red" preset (you can get it here: http://www.lightroomkillertips.com/2008/presets-sin-city-look-sort-of/). That was it for Lightroom, so I moved on to CS3 and there I've: converted to Black & White (Red Filter preset) and done some Auto Tone, Auto Contrast and Auto Color.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/BUS-106221441
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Flatiron, NYC

0


The Story
April, 2008. After more than a year after the original planned date for visiting New York, we finally managed to go there (check the
NYC - Times Square photo story for more details)...
In our second day in New York we still had a lot of places to visit. The Flatiron Building was one of them. This peculiar building is one of the first skyscrapers ever built and it is more than 100 years old. It was finished in 1902 and it is a landmark in New York City. From this perspective, we can see that it is very thin in the front, clothing iron shaped (hence it's name).
I took some photos of it and moved on to the next spot.

Equipment / Technical Info
Nikon D80
AF-S NIKKOR 18-70mm 1:3.5-4.5G ED

1/250 second
F/3.5
18 mm
100

Original Photo


Post Processing
This photo rested over 20 months in my hard drive, waiting for it's turn. Well, Christmas day, 2009 was the day.
I had imported this photo into my Lightroom catalog a few days after our arrival from NY, back in 2008. I had tried almost all of my presets in this one, but never got quite satisfied with the result. In this day, I decided to let the presets aside and do it manually from scratch.
First I straighten it and applied the proper crop. Then I increased the Sharpening and reduced 1 stop to the Exposure to darken the sky a bit. This left the photo too dark and brought me to the next step: increase the Fill Light. Then I increased the Blacks, the Clarity and the Contrast; reduced the Exposure another stop and increased the Brightness to compensate. To darken the sky even more, I reduced the Luminance of the Blues to the minimum. Now it was ready for the Black & White conversion. I prefer to do this step in CS4, so I imported the photo there.
In CS4, I've done Auto Levels, Auto Contrast and Auto Colors, and converted to Black & White (Infrared preset). I then added some Vignetting, increased the Contrast and the Brightness and had some noise reduction (the clouds part was a bit noisy). And that was it.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Flatiron-NYC-147974783
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Olympic Sunset

1


The Story
January, 2009. My sister was at the time working in Athens and invited us to go there for a week (check the
Meteora II photo story for more details)...
After spending a couple days sightseeing the historical places in Athens, we decided (as advised by our guide, i.e, my sister) to check the Olympic Complex. The Olympic Complex was built for the 2004 Summer Olympic Games, held in Athens, the birthplace of the Olympic Games.
The weather was kinda cloudy, almost rainy, but we decided to go anyway. After all, there isn't as much places to see in Athens as I thought. We picked the subway and when we got there, the first thing that captured my attention was the metallic structures. The main entrance of the Olympic Complex has a big metal structure with fountains around it. We started our visit there. I picked the camera and tried several perspectives with the fountains and the metal structure.
After a few shots, I noticed that the sun was setting in behind one of the pavilions. The sun, the clouds, the water mirror, the trees and the pavilion combined into this picture. I also find the line formed by the lake shore, combined with the lines of the pavilion, quite interesting.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC

1/125 second
F/5.6
20 mm
100

Original Photo


Post Processing
I liked this photo almost as it came out of the camera.
A few things were to be corrected, though: the colors were a bit dull and the sky was burn (white, without any color information).
I imported it into Lightroom and applied the Highlight Recovery to the maximum. I then, increased the Contrast and the Vibrance, added some Vignetting and reduced the Luminance for the Oranges, Yellows and Reds. In CS4, I've just increased the Contrast a bit more. That was it.
I should have been more careful in the location and prevented the sky from being burned out. Somethings can't really be recovered in post processing and this is one of them (tip: always expose the photo to prevent the highlights burn out. It's easier to recover the shadows than the highlights).
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Olympic-Sunset-110254658
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Rua Augusta

0


The Story
April, 2009. My wife's parents came to visit us and after lunch we took them for a walk in downtown Lisboa (check
Rossio photo story for more details).
When we got there, I left them doing some sightseeing and got right to business. I mounted the camera on the tripod and started exploring potential angles. I started with the Restauradores square but the angles weren't quite as I wanted. Then I moved to Rossio square and hanged there for a while. My objective was to capture the cloud movement and "erase" the people from the street. So, I took a couple shots (they require some time of preparing) and moved on to another spot: Rua Augusta.
Rua Augusta is the main street of downtown Lisboa. It goes from Rossio to Praça do Comércio, near the Tagus river. It's a pedestrian street that's packed with some of the most fine shops (or at least it used to be) and a lot of restaurants. In the Comércio side of the street, it ends up in a triumphal arch. This spot, near the arch, was the place where I imagined the photo. From a lower perspective, capturing the arch, the clouds passing above it, the fuss in the street. It seamed a good composition. So I done the math (to calculate the exposure) and prepared the shot. I only took one shot here because there was a lot of people there and I was in their way. Anyway, I already had what I wanted.
And that was it for the day. Time now to find my wife and her parents, somewhere in Lisboa downtown.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC
Hitech 85 ND 3.0 filter
Slik Pro 340DX tripod

30/1 second
F/16.0
12 mm
100

Original Photo


Post Processing
This photo was the second one that I published from this day. It got published two days after it was taken. When I reviewed it in the computer I noticed three things: it was with the colors all messed up (as all the others from this day); it was dirty from the light that passed the filter holder (as the others) and it was very dark.
As happened with Rossio photo, I had two alternatives: Black & White or try to fix the colors. I've already turned the other into B&W and this one was too dark for it anyway, so the only option was trying to correct the colors.
So I imported the file into Lightroom and started with an Auto Tone, followed with a White Balance correction to make it warmer. Then I started adjusting the Hue of the Blues and Yellows. I was starting to despair... there was something missing. I started playing around with presets and I ended up using the "COL Nikonians - Mode Illa" (you can find it here: http://www.presetsheaven.com/2008/08/30/deviant-presets-for-lightroom-ii-turns-the-light-on) preset. That kinda put me back on tracks and so I moved on: adjusted the Hue of Oranges and started removing the flare spots in the bottom left of the photo. The latest was the harder step, if I had covered properly the filter holder (instead of using the camera strap for it) nothing of this would have been necessary. Finally I increased the Blue Saturation and decreased the Luminance.
In CS4, I've done: Auto Tone, Auto Contrast, Auto Color and Auto Levels. Then I just added some Vignetting. This gave me the full size (10Mp) final image.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Rua-Augusta-119153019
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The Pier

0


The Story
June, 2009. It was summer time but it didn't felt like it. The day was very cloudy, almost rainy. A few days before I've been scouting a spot near my home that I thought would give a good photo: the former Lisnave shipyards, in Cacilhas, Almada on the south bank of Tagus river. In the day I went there for the first time, I found a good place to shoot the Lisnave site, from a higher ground, but the day was sunny, so I left it for another proper day. That proper day had arrived: the sky was covered with clouds.
I picked the gear and went to Cacilhas take the shot. After a couple shots there I remembered that I hadn't properly explored the Ginjal pier in Cacilhas. So I parked in the pier and started exploring the site. This pier is next to the ferry that connects to Lisboa and it is about 2500 feet (750m) long. It is filled with abandoned houses and warehouses and some not abandoned ones. I took plenty of shots, trying to get new perspectives, and this one was one of my last photos there. Less than five minutes after this shot, it started to rain a lot so this photo trip was over.
A few perspectives were missing, so I'll return there someday.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC

1/100 second
F/8.0
10 mm
100

Original Photo


Post Processing
Back home, this photo wasn't, surprise, surprise, one of my first choices :) Only almost one week after, I decided to give this photo a chance. My first thought was to find a way to darken the clouds and give it a more dramatic look.
I imported it into Lightroom and adjusted the perspective with a proper Crop. I've added a Graduated Filter to darken the sky and lighten the river. Then, I've increased the Exposure, the Contrast, the Fill Light, the Clarity and the Sharpening. I wasn't fully satisfied so I started playing around with the presets. I ended up choosing the "Civil War 2" preset by Vidular (you can find it here: http://www.flickr.com/photos/vidular/2456010834/). After the preset, I've lightened the pier base with a brush so that it would show more detail.
In CS4, I've done: Auto Tone, Auto Contrast, Auto Color and Auto Levels. Then I converted to Black and White (Green Filter preset) and increased the Vignetting to the maximum. Finally, I've warmed the photo a little with the "Warm (26)" action from TLR (you can find this and other actions to simulate the effect of Gradient filters here: http://www.thelightsrightstudio.com).
This gave me the full size (10Mp) final image.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461

Final Photo


Link to image
http://jpgmn.deviantart.com/art/The-Pier-128186829
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Rossio

0


The Story
April, 2009. My wife's parents came to visit us and we had lunch at our place. After lunch my wife thought of taking them for a walk in downtown Lisboa.
A few weeks before, I've bought a new filter and I was eager to try it in a urban scenario. This filter was a 10 stop ND (neutral density) filter. With it I could do some long exposures in broad daylight. This kind of exposures would allow me to, for example, capture the clouds movement.
So I packed the material (camera, lenses, filters, filter holder, tripod) and we headed to Lisboa. When we got there, I left them doing some sightseeing and got right to business. I mounted the camera on the tripod and started exploring potential angles. I started with the Restauradores square but the angles weren't quite as I wanted. Then I moved to Rossio square and hanged there for a while. My objective was to capture the cloud movement and "erase" the people from the street.
The 10 stop filter is a bit tricky to use and I can't really say that I've already managed to use it properly. I will share with you some guidelines on how to use this filter:
- You need a tripod. This filter will cut 10 stops of light and what this means is that, if in a regular photo you will shoot at 1/100 seconds shutter speed, with this filter the same shot (without changing any other setting) will require a 10 seconds exposure (give or take).
- You must mount the camera on the tripod without the filter on and first choose the angle. After you choose the angle you must memorize the settings (Aperture, Shutter Speed) and move the camera into Manual mode (I usually shoot in Aperture mode). After the angle is chosen, you also need to change the focus to Manual.
- So, you got the camera on the tripod, without the filter, in Manual Focus mode. Now you must do some math :) I've simplified it: I simply multiply the Shutter Speed that the camera calculated in Aperture Mode for 1000. In doubt, I will chose the higher speed interval (the math may not give you an available speed interval).
- After the settings in Manual mode are set, I gently put the filter on the camera, taking extra care to not touch the zoom ring, nor the focus ring.
- Now all is set. I use the remote control (if you don't have it, just use the timer) to take the photo.
- Another word of advice: with this high exposures during the day, the slightest amount of light that reaches the sensor from anywhere else than the filter itself will ruin the photo. You must take vary care with the viewfinder (cover it with the appropriate cap) and the space around the filter holder (this one I didn't managed to do it very well - my last idea was to use the upper side of a sock - the elastic part - cut off from the rest of it, until I get a fabric ring that will, hopefully, prevent any light from reaching the lens. I hadn't tried it yet).
So, I took a couple shots (they require some time of preparing) and moved on to another spot.

Equipment / Technical Info
Nikon D80
Sigma 10-20mm F4-5.6 EX DC
Hitech 85 ND 3.0 filter
Slik Pro 340DX tripod

30/1 second
F/22.0
12 mm
100

Original Photo


Post Processing
When I reviewed the few photos taken this day, I came to a conclusion: almost all of them were rubbish. They were too dirty. Even this one, if you look at it, it's badly exposed and has lots of flare from the light that come from the filter holder holes. Also the colors are quite strange, with the Magentas very high. The latest is a characteristic of this filters: don't care too much with the White Balance or the colors when you are taking the shot. They will never be closer to the real ones. So, I had two alternatives: I could try to fix the colors or I would convert the photo to Black & White. Usually the later is the preferred for it's simplicity. In this photo I went that path.
I imported the NEF into Lightroom and started by removing some dust spots (they were more visible because I used a very small aperture) and then increased the Highlight Recovery and the Contrast. Then I applied the "Matt's 300 Look - Strong" preset (you can find it here: http://www.lightroomkillertips.com/2008/monday-presets-the-300-look) and converted the resulting image to Grayscale. Finally I've increased the Contrast a bit more and moved on to CS4.
In CS4, I've done: Auto Tone, Auto Contrast, Auto Color and Auto Levels. Then I converted to Black and White (Red Filter preset) and increased the Contrast again. This gave me the full size (10Mp) final image.
I usually publish my photos with 1024px in the largest size and use a great Photoshop action by Manyk to do the re-size.
You can find it here: http://manyk.deviantart.com/art/Web-Sharpening-with-Photoshop-29038461
I'm not that happy with result to be honest, but for some reason (probably the impact of it) this photo is very popular among my viewers.

Final Photo


Link to image
http://jpgmn.deviantart.com/art/Rossio-118904515
Read more
 
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